Any areas we paint with pure white will not have any blurring applied to them at all, and any areas we paint with some shade of gray will have blurring applied to them at various strengths depending on how close that shade of gray is to black (full strength blurring) or white (no blurring). When creating our Depth Map, any areas we leave as pure black in the alpha channel will have the blurring effect applied to them at full strength. Step 3: Select The Brush ToolĪs I mentioned, we're going to be painting on our new alpha channel with white to create our Depth Map, and to do that, we need the Brush Tool, so select it from the Tools palette: We're going to be using this alpha channel to tell Photoshop where we want the blurring effect to be applied at full strength, where we want it to be applied at less than full strength, and where we don't want any blurring to be applied at all, and we're going to do that by painting on our alpha channel with white using the Brush Tool, as we'll do next. In fact, if you were to drag out a selection with, say, the Lasso Tool and then save your selection, it would be saved as an alpha channel. This is just a fancier way of making a selection, but it's still just a selection. We'll cover alpha channels fully in another tutorial, but for now, alpha channels are just selections, the same as if you were creating a selection with the Rectangular Marquee Tool or the Lasso Tool. If alpha channels are new to you, don't worry about them. What we've just added here is called an alpha channel, as opposed to the color channels above it, which is why Photoshop named it "alpha 1". Here's the image I'll be using for this Photoshop tutorial:Ī new channel is added below the others and named "Alpha 1".Īs soon as you add the new channel, you'll see your image turn completely black, and that's because what we're now looking at is the new channel, not the image, and the channel is currently filled with black. This is a great filter to use with all kinds of photos, including wedding photography, landscape photos, and really any photo where you want to bring attention to a certain part or parts of the image by adjusting the focus. We're not going to be covering every single option of the Lens Blur filter in this tutorial, since a) that would be boring, and b) there's really only a couple of options you need to know about to get great results with it, and those are the ones we'll look at here. Photoshop's Lens Blur filter, on the other hand, offers an incredible amount of control over the effect (more than you'll most likely ever need), and when used with an easy-to-create Depth Map, as we'll see in this tutorial, we can specify exactly how much blurring to apply to different areas of the image, giving us complete creative control over which areas are in focus and which are not. While Gaussian Blur is still a great filter with plenty of uses, it doesn't offer us much in terms of control over the blurring effect and usually needs to be paired up with a layer mask for it to be of any real use. When most people think of adding a blurring effect to an image in Photoshop, they immediately think of the Gaussian Blur filter, which has been around in Photoshop since the days of the dinosaurs (they used Photoshop BC back then). The company took the industry by storm, offering a wide range of products that blended street savvy with glamorous style and panache.In this Photoshop Effects tutorial, we're going learn how to add creative focus to an image using Photoshop's Lens Blur filter, which has been available in Photoshop since Photoshop CS (which means you'll need Photoshop CS, CS2 or CS3 for this tutorial). One of the most popular offerings was an intense matte red lipstick, which got a boost with an appearance in a photo-shoot of the fast-rising Madonna, later seen wearing a M♺♼ T-shirt. ![]() Professional makeup artists manned the counter, an industry first. While other major makeup brands at the time were predominantly skincare companies, M♺♼ chose instead to establish itself as the ultimate colour authority. ![]() Their approach was chic utility, with the makeup coming in black pots rather than compacts. ![]() ![]() As the magazine credits racked up and word-of-mouth popularity grew, the duo launched M♺♼ in March 1984 from a counter in a Toronto department store. Soon, stylists and fashion editors got in on the action. At first, they made the cosmetics in their kitchen and sold them straight from the salon to fellow makeup artists, as well as models and photographers. Makeup artist and photographer Frank Toskan and salon owner Frank Angelo became frustrated by the lack of makeup that photographed well, so they decided to create their own. Make-Up Art Cosmetics started life in Toronto, Canada.
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